
Movies are strange– you don’t talk to anyone while you watch, but no one wants to see a film alone
Sometimes a film continues well after the credits roll. When that happens, I’ll share my thoughts in this blog. Hopefully it sparks a conversation.

Challengers
Just like a real tennis match, Challengers is fun, fast, and not afraid to get intimate.

Letterboxd
Not the end of this blog– announcing an exciting tool to supplement our film conversations.

Oppenheimer
“How would you like to have to justify your entire life?” Oppenheimer was remarkable, capturing both the impressively personal and magnificently large.




Six movies of 2022
With both box office hits and flops, telling both immense tales and personal dramas, this a review of six of the biggest movies of 2022. These films capture all that works on the silver screen– and all that does not.

Thor: Love and Thunder
Taika Waititi knows what he’s doing– Thor: Love and Thunder is summer-popcorn, superhero fun.

Everything Everywhere All at Once
Everything Everywhere All at Once is truly spectacular. Genre-defying and impossible to explain, I can’t wait to watch it again.

The Batman
The time and energy commitments are very real, but The Batman is still worth a watch.

Don’t Look Up
Was it ever possible for Don’t Look Up to live up to it’s supposed potential? How funny does a “dark comedy” have to be?

Spider-Man: No Way Home
WARNING: you may not like what I’m about to say. Just remember I was also disappointed.

In The Heights
This review is from June 14, 2021
With large musical numbers and heartfelt stories, there are few moments where the two and a half hour runtime ever feels long.

Do the Right Thing
This review is from April 12, 2021
Do the Right Thing is a movie that will stick with you everywhere you go, and gives power to the idea that good art can change the world.

Godzilla v Kong
This review is from April 5, 2021
If you’ve been waiting for Godzilla to fight King Kong, then I guess you’ll have fun.

Eternal Sunshine of the Spotless Mind
This review is from March 25, 2020
Credit once again to Charlie Kaufmann for weaving a non-linear story together in a way that feels natural and real.